The girl of Vic’s dreams was the only thing he saw, and he was only used by her. Coming in louder than 2012’s “Hell Above”, this is a song anyone can jam to. LIVE REVIEW, PHOTOS: The Offspring at The Fillmore Silver Springįollowing is track “Today I Saw the Whole World”.
Another bullet, and we both started running” the imagery of chaos city-wide, as well as a shocked pile of nations, is easy to visualize as the lyrics flow in the air around the listener. In the lyrics, “You took my hand, and then we both started running, Both started running. The song is a dedication to all the lives lost and all the struggles people endured in that time. In an interview with Alternative Press, he expressed that, lyrically, the song addresses the Paris terrorist attacks. It sounds similar to previous tracks, “Stained Glass Eyes and Colorful Tears” and “Drella”. “Circles” features a few guitar solos, along with a mix of high drums in the chorus, and medium speed drumming in the verses and bridge, as well as a more clean set of vocals by Vic Fuentes, which could also be viewed as a pop-punk style in this case some also refer to it as a memoir of A Flair for the Dramatic. The song showcases Vic fearing he would start talking to an “invisible friend” in a state of shock if his girlfriend were to kill herself. His girlfriend finds herself using methods of coping that aren’t good for her, and she won’t listen to anything Vic tries to say, unless it’s what she wants to hear. “Phantom Power and Ludicrous Speed” is one of the heavier songs on the album, also with a deep message relating to self-harm and suicide. Lyrically, Vic is singing about not wanting to leave the girl he tries so hard for, but it makes things harder on himself. It features a guitar and drum solo in the middle.
All the pierce the veil songs and albums full#
“Floral & Fading” is full of Vic Fuentes’s raspy vocals along with a steady drum beat and electric guitar melody. The theme seems to be trying so hard to be with someone and loving them, even with their flaws, such as in the lyrics, “I’m not meant for this world I just don’t see the point”, “And life is a joke at least I can love you, naked and tattooed” and “Now, I only pray when it all dies down, I’ll be surrounded by all of the ones I’ve loved and cared about” – classic Pierce The Veil, both lyrically and musically. Towards the middle of the song, there is a breakdown around vocalist Vic Fuentes’s backing screams that allows drummer Mike Fuentes, guitarist Tony Perry, and bassist Jaime Preciado to chime in. The song’s tempo can be distinguished as a mix between “I Don’t Care If You’re Contagious” and “Disasterology”. “The Divine Zero” begins slowly until around seven seconds in, when immense guitar strumming and substantial drum patterns begin to be heard. The album as a whole seems to continue the instrumental feel of previous albums, yet ever so slightly, the lyrical aspects change to more real world situations.
“Texas is Forever” follows previously released in March 2016, it is instrumentally compared to 2012’s “Hell Above”. “Dive In” starts off the album, with an electric guitar and haunting piano background duo and an interchanging medium-fast paced drumming, similar to 2012’s “Bulls in the Bronx”.
Since 2012’s Collide with the Sky, and after several years of non-stop touring, along with studio complications, this is the album fans were hoping for and more, and damn was it worth the wait!
Misadventures is the eagerly awaited fourth full-length album from post-hardcore quartet, Pierce the Veil.
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